19:39, Apr 06
Apostolis Dimitropoulos: Painting the Soul of Football
Apostolis Dimitropoulos is not just an artist—he’s a storyteller, a dreamer, a man who paints football not as a game but as a feeling. A self-taught talent whose journey began by chance, he turned his love for the sport into raw, nostalgic, and deeply human artworks. Growing up surrounded by sports magazines at his father’s kiosk, his vision is shaped by childhood innocence, neighborhood games, and the kind of passion that money can’t buy.
For Apostolis, football isn’t just a subject—it’s a way of life. Whether sketching legends, capturing a fleeting grimace, or immortalizing a moment that others might overlook, his work is pure, unpolished, and full of heart. He creates with instinct, spreading out every material in his workspace, embracing chaos, and letting inspiration take over. Music plays, coffee is poured, and then—magic happens.
What sets his art apart is the way it connects with people. His pieces aren’t just admired; they’re felt. From casual fans to footballing icons, his work resonates on a deep emotional level. And for him, that’s worth more than any price tag. When a player he once controlled on PES now holds his artwork in their hands, that’s a full-circle moment he never could have scripted.
Art found him, football defined him, and now, through his creations, he brings them together in a way only he can. Apostolis Dimitropoulos paints football the way it’s meant to be remembered—not just in goals or trophies, but in the emotions, the energy, and the love for the game itself.
M: Can you share the journey that led you to become a self-taught artist, especially focusing on football as your primary subject?
A: The journey began completely by chance; it emerged along the way. However, with constant work, will, and faith, everything is possible. As for football, it is my great love. There are many other forms of art, but football is my passion!!
M: How does your background as a professional baker influence your artistic process, if at all?
A: Of course, it affects me! They are two arts that I love!! Both require hands, love, and passion to create. They are completely different but, at the same time, the same. I can’t explain it in words—only through practice.
M: What is it about football that inspires you to make it the central theme of your artwork?
A: My love for the sport!! I love sports in general. But football is something completely different from everything else. Whether I played it as a kid or on video games, it’s the same feeling. Whether I sell my work or not, I’ve said it before and I’ll say it again—it doesn’t bother me at all!! I love what I do, and I’m happy with the love I receive from literally everyone!! Also, my dad used to make me watch videotapes and read the newspaper, which I still do traditionally!!
M: Can you describe your creative process when starting a new piece? Do you have any specific rituals or routines?
A: Hmm, usually around noon or in the afternoon. I make a coffee beforehand and always have water next to me. I put on the CD player or record player to listen to music—because without music, I can’t function—and then I start!!
M: How do you select the moments or figures in football that you choose to portray in your art?
A: I always look for the best moment!! The most special one—the grimace, the something different!! My vision is that the player should never be boring in the moment I immortalize. I also look at events accordingly, whether they’re related to fashion or anything else. In general, I do what I like and what interests me—I have no attachments.
M: What materials and techniques do you prefer to use in your artwork, and why?
A: I use everything, REALLY EVERYTHING!! I spread everything out in the office and use whatever suits me. It may sound chaotic, but believe me, I know where everything is haha! As for techniques, I’m constantly learning and reading to keep evolving!!
M: How do you see your work contributing to the broader conversation about the intersection of sports and art?
A: I believe that football is everywhere now, so it’s easier for it to coexist with art. As for me, I try to combine everything together—I don’t pursue anything specific.
M: Can you share a particularly memorable response or feedback you’ve received about your work?
A: Ohh man!! This question is very powerful. First of all, I receive unlimited love from people I don’t even know all over the world, and this fills me up so much as a person. I truly appreciate that someone takes the time to send me a thumbs-up, a message, or even share my work.
Unforgettable moments? Recently, I gave some of my artwork to the huge David Bellion and the female Ryan Babel—players I used to play with on PES on PlayStation 2. And now, I was standing next to them, chatting!! Only by being easy-going can I stay humble about the next steps in this beautiful journey. I’ve had some great collaborations recently, but nothing compares to the feeling of a famous footballer sending me a message saying they actually liked my work. That, my friend, is priceless. No amount of money can compare to that!!!
M: As someone who grew up reading sports magazines, how do you think that experience has shaped your artistic vision?
A: Absolutely, man!!! Since I was a child, my father had a kiosk, and I read everything that was circulating!! That shaped the way I create as an artist!! It’s all about childhood innocence, nostalgia for the past, the simple everyday things—the pure things.
Going down to the neighborhood, playing ball with the kids—with bottle caps first, then with real balls—we went through all the stages. Those innocent childhood years define how I create. I don’t overthink—I just let go and bring it out as simply as possible. I think my character is clearly visible through my work.
I love this more than anything, my friend. It gives me life. I sit in my room and get lost for hours—many times, the day isn’t enough for me. Of course, I know when I’m tired or when something isn’t working, so I stop, go for a run or a bike ride, and let off steam!!
M: What advice would you give to aspiring artists who are self-taught and looking to find their unique voice?
A: Give it your all and see where it takes you!! It is very difficult to make a living from art, and it depends on the situation each of us is in. But in my personal opinion, it is worth it 100000%. It may come with 10 difficulties, but when that one success arrives, there is no better feeling. It’s incomparable. So go for it—be dynamic, stay humble, have faith, and everything will come in its time!!
#art #football #apostolisdimitropoulos #unity
Apostolis Dimitropoulos is not just an artist—he’s a storyteller, a dreamer, a man who paints football not as a game but as a feeling. A self-taught talent whose journey began by chance, he turned his love for the sport into raw, nostalgic, and deeply human artworks. Growing up surrounded by sports magazines at his father’s kiosk, his vision is shaped by childhood innocence, neighborhood games, and the kind of passion that money can’t buy.
For Apostolis, football isn’t just a subject—it’s a way of life. Whether sketching legends, capturing a fleeting grimace, or immortalizing a moment that others might overlook, his work is pure, unpolished, and full of heart. He creates with instinct, spreading out every material in his workspace, embracing chaos, and letting inspiration take over. Music plays, coffee is poured, and then—magic happens.
What sets his art apart is the way it connects with people. His pieces aren’t just admired; they’re felt. From casual fans to footballing icons, his work resonates on a deep emotional level. And for him, that’s worth more than any price tag. When a player he once controlled on PES now holds his artwork in their hands, that’s a full-circle moment he never could have scripted.
Art found him, football defined him, and now, through his creations, he brings them together in a way only he can. Apostolis Dimitropoulos paints football the way it’s meant to be remembered—not just in goals or trophies, but in the emotions, the energy, and the love for the game itself.
M: Can you share the journey that led you to become a self-taught artist, especially focusing on football as your primary subject?
A: The journey began completely by chance; it emerged along the way. However, with constant work, will, and faith, everything is possible. As for football, it is my great love. There are many other forms of art, but football is my passion!!
M: How does your background as a professional baker influence your artistic process, if at all?
A: Of course, it affects me! They are two arts that I love!! Both require hands, love, and passion to create. They are completely different but, at the same time, the same. I can’t explain it in words—only through practice.
M: What is it about football that inspires you to make it the central theme of your artwork?
A: My love for the sport!! I love sports in general. But football is something completely different from everything else. Whether I played it as a kid or on video games, it’s the same feeling. Whether I sell my work or not, I’ve said it before and I’ll say it again—it doesn’t bother me at all!! I love what I do, and I’m happy with the love I receive from literally everyone!! Also, my dad used to make me watch videotapes and read the newspaper, which I still do traditionally!!
M: Can you describe your creative process when starting a new piece? Do you have any specific rituals or routines?
A: Hmm, usually around noon or in the afternoon. I make a coffee beforehand and always have water next to me. I put on the CD player or record player to listen to music—because without music, I can’t function—and then I start!!
M: How do you select the moments or figures in football that you choose to portray in your art?
A: I always look for the best moment!! The most special one—the grimace, the something different!! My vision is that the player should never be boring in the moment I immortalize. I also look at events accordingly, whether they’re related to fashion or anything else. In general, I do what I like and what interests me—I have no attachments.
M: What materials and techniques do you prefer to use in your artwork, and why?
A: I use everything, REALLY EVERYTHING!! I spread everything out in the office and use whatever suits me. It may sound chaotic, but believe me, I know where everything is haha! As for techniques, I’m constantly learning and reading to keep evolving!!
M: How do you see your work contributing to the broader conversation about the intersection of sports and art?
A: I believe that football is everywhere now, so it’s easier for it to coexist with art. As for me, I try to combine everything together—I don’t pursue anything specific.
M: Can you share a particularly memorable response or feedback you’ve received about your work?
A: Ohh man!! This question is very powerful. First of all, I receive unlimited love from people I don’t even know all over the world, and this fills me up so much as a person. I truly appreciate that someone takes the time to send me a thumbs-up, a message, or even share my work.
Unforgettable moments? Recently, I gave some of my artwork to the huge David Bellion and the female Ryan Babel—players I used to play with on PES on PlayStation 2. And now, I was standing next to them, chatting!! Only by being easy-going can I stay humble about the next steps in this beautiful journey. I’ve had some great collaborations recently, but nothing compares to the feeling of a famous footballer sending me a message saying they actually liked my work. That, my friend, is priceless. No amount of money can compare to that!!!
M: As someone who grew up reading sports magazines, how do you think that experience has shaped your artistic vision?
A: Absolutely, man!!! Since I was a child, my father had a kiosk, and I read everything that was circulating!! That shaped the way I create as an artist!! It’s all about childhood innocence, nostalgia for the past, the simple everyday things—the pure things.
Going down to the neighborhood, playing ball with the kids—with bottle caps first, then with real balls—we went through all the stages. Those innocent childhood years define how I create. I don’t overthink—I just let go and bring it out as simply as possible. I think my character is clearly visible through my work.
I love this more than anything, my friend. It gives me life. I sit in my room and get lost for hours—many times, the day isn’t enough for me. Of course, I know when I’m tired or when something isn’t working, so I stop, go for a run or a bike ride, and let off steam!!
M: What advice would you give to aspiring artists who are self-taught and looking to find their unique voice?
A: Give it your all and see where it takes you!! It is very difficult to make a living from art, and it depends on the situation each of us is in. But in my personal opinion, it is worth it 100000%. It may come with 10 difficulties, but when that one success arrives, there is no better feeling. It’s incomparable. So go for it—be dynamic, stay humble, have faith, and everything will come in its time!!
#art #football #apostolisdimitropoulos #unity
12:43, Mar 23
A Journey Through the Lens: An Interview with Zhang Linghuan
For Zhang Linghuan, photography is far more than a profession—it’s a mentor, a best friend, and a path to self-discovery. Born and raised in Liaoning, China, Linghuan’s journey has taken her across continents, from capturing underground metal concerts in Beijing to black-and-white street photography in Amsterdam, and now to her creative base in Cologne, Germany. Her work blends minimalism with profound emotional depth, exploring themes of solitude, gender fluidity, and vulnerability.
In this exclusive interview, Linghuan shares how she overcame her fears and turned her lifelong passion into a fulfilling career. She reflects on the lessons photography has taught her, the challenges she has faced, and the joys of meeting people through her craft. Whether you’re an aspiring creative or simply curious about life behind the lens, Linghuan’s story offers inspiration and insight into the world of a dedicated artist.
M: Hi Ling, how are you? Can you introduce yourself to our readers?
L: Hey! I’m doing great—sitting in the sun and eating watermelon right now. Life couldn’t be better! My name is Zhang Linghuan. I was born and raised in Liaoning, China, and since 2014, I’ve been living in Europe. Currently, I’m based in Cologne, Germany. I’m a Virgo sun with Scorpio rising and an INFP personality.
M: What does photography mean to you?
L: Photography is my mentor and my best friend. It helps me conquer my fears and pushes me forward. As an introvert, my desire to capture the perfect shot encourages me to interact with people. The discomfort of being in a crowd disappears once I have my camera in hand.
It also teaches me decision-making. Every shot requires quick and thoughtful choices—what to shoot, whom to shoot, how to shoot, and how to balance lighting, colors, and emotions. It’s all about making thorough, responsible decisions.
Even when I’m not holding a camera, photography has trained me to observe patiently and deeply. It’s a key part of my self-discovery journey, helping me answer questions like: Who am I? What do I like? How do I connect with my heart? Each time I press the shutter, I get closer to understanding myself.
One of the biggest rewards is the people I meet along the way—subjects, team members, collaborators. These beautiful connections are something I deeply cherish.
M: How would you describe your photography style?
L: Do you follow a specific direction?
I like my photography to be sharp and minimalistic, removing unnecessary elements to highlight the essence of the subject. A lot of my work involves minimalistic scenes—perhaps in front of a white backdrop with simple styling. Making “nothing” look interesting is a way to reveal the subject's true essence.
My work often explores themes of gender fluidity, solitude, and vulnerability. That said, I wouldn’t say I’ve settled on a single visual style. I get bored easily and enjoy experimenting with different approaches. I prefer embracing change and trying new things.
M: When did you decide to become a photographer?
L: I’ve loved photography since I was four years old, when I shakily held my dad’s point-and-shoot camera. Over the years, I enjoyed shooting underground metal concerts in Beijing and capturing black-and-white street scenes in Amsterdam.
At that time, I didn’t think of turning my passion into a career because I had no formal art education—I attended business school instead. It seemed like an impossible dream.
When I moved to Germany, I had some free time while learning the language. I started photographing people around me, and what began as a hobby slowly turned into jobs. These opportunities helped me build my skills and confidence. Now, I feel very lucky and privileged to make a living from photography.
M: How do you approach photography jobs compared to personal projects?
L: When it comes to professional jobs, client and team satisfaction are my top priorities. A successful production requires good communication, so I always prepare thoroughly and communicate proactively to understand what my clients need. Based on that, I offer suggestions and expertise to ensure we achieve the best results.
For private projects, I have more freedom to experiment and explore, which allows me to create a relaxed and personal atmosphere.
M: What does a typical day look like for you?
L: I currently work part-time with an amazing content team. Our office is filled with laughter and support, which makes it a joy to go to work. I also freelance as a photographer.
I can be a bit of a workaholic. I’ll shoot, edit, and shoot again, often losing track of time when I’m in the flow. When I’m in that state, I hardly feel hungry or tired.
To stay balanced, I have some creative rituals: morning yoga, deep talks with friends, baths, music, and movies. These moments help me reconnect with myself. I also spend time studying the works of my favorite artists and reviewing my own images to grow and evolve.
M: What would you say sets your photography apart?
L: I don’t compare myself to others because I think everyone has their own unique vision. Diversity in photography is beautiful, and I’m constantly inspired by other people’s work.
M: Have you ever thought about quitting photography? If so, why, and how did you overcome it?
L: There was a time when I felt drained from working intensively on non-creative jobs. That stress took away my pleasure in photography, and I started questioning myself.
To overcome it, I reminded myself why I started in the first place—because I love taking pictures. Refocusing on this passion helped me regain my energy and desire to shoot.
M: If you could change the fashion world—or the world in general—how would you do it?
L: If I had influence, I’d advocate for focusing on well-being. Be kind to each other, respect diversity, and treat our planet with care. Fairness, honesty, and compassion can go a long way in making the world better.
M: What advice would you give to upcoming creatives who want to follow their passions?
L: Feel your heartbeat and find your flow state. Practice it regularly, try new things, and don’t be afraid to experiment. Collaborate with others, share feedback, and grow together.
M: Thank you for sharing your journey, Ling! Any final thoughts?
L: Thank you for the opportunity to share my story. Take care, and I hope to see you soon!
#photography #minimalism #art #fashion
For Zhang Linghuan, photography is far more than a profession—it’s a mentor, a best friend, and a path to self-discovery. Born and raised in Liaoning, China, Linghuan’s journey has taken her across continents, from capturing underground metal concerts in Beijing to black-and-white street photography in Amsterdam, and now to her creative base in Cologne, Germany. Her work blends minimalism with profound emotional depth, exploring themes of solitude, gender fluidity, and vulnerability.
In this exclusive interview, Linghuan shares how she overcame her fears and turned her lifelong passion into a fulfilling career. She reflects on the lessons photography has taught her, the challenges she has faced, and the joys of meeting people through her craft. Whether you’re an aspiring creative or simply curious about life behind the lens, Linghuan’s story offers inspiration and insight into the world of a dedicated artist.
M: Hi Ling, how are you? Can you introduce yourself to our readers?
L: Hey! I’m doing great—sitting in the sun and eating watermelon right now. Life couldn’t be better! My name is Zhang Linghuan. I was born and raised in Liaoning, China, and since 2014, I’ve been living in Europe. Currently, I’m based in Cologne, Germany. I’m a Virgo sun with Scorpio rising and an INFP personality.
M: What does photography mean to you?
L: Photography is my mentor and my best friend. It helps me conquer my fears and pushes me forward. As an introvert, my desire to capture the perfect shot encourages me to interact with people. The discomfort of being in a crowd disappears once I have my camera in hand.
It also teaches me decision-making. Every shot requires quick and thoughtful choices—what to shoot, whom to shoot, how to shoot, and how to balance lighting, colors, and emotions. It’s all about making thorough, responsible decisions.
Even when I’m not holding a camera, photography has trained me to observe patiently and deeply. It’s a key part of my self-discovery journey, helping me answer questions like: Who am I? What do I like? How do I connect with my heart? Each time I press the shutter, I get closer to understanding myself.
One of the biggest rewards is the people I meet along the way—subjects, team members, collaborators. These beautiful connections are something I deeply cherish.
M: How would you describe your photography style?
L: Do you follow a specific direction?
I like my photography to be sharp and minimalistic, removing unnecessary elements to highlight the essence of the subject. A lot of my work involves minimalistic scenes—perhaps in front of a white backdrop with simple styling. Making “nothing” look interesting is a way to reveal the subject's true essence.
My work often explores themes of gender fluidity, solitude, and vulnerability. That said, I wouldn’t say I’ve settled on a single visual style. I get bored easily and enjoy experimenting with different approaches. I prefer embracing change and trying new things.
M: When did you decide to become a photographer?
L: I’ve loved photography since I was four years old, when I shakily held my dad’s point-and-shoot camera. Over the years, I enjoyed shooting underground metal concerts in Beijing and capturing black-and-white street scenes in Amsterdam.
At that time, I didn’t think of turning my passion into a career because I had no formal art education—I attended business school instead. It seemed like an impossible dream.
When I moved to Germany, I had some free time while learning the language. I started photographing people around me, and what began as a hobby slowly turned into jobs. These opportunities helped me build my skills and confidence. Now, I feel very lucky and privileged to make a living from photography.
M: How do you approach photography jobs compared to personal projects?
L: When it comes to professional jobs, client and team satisfaction are my top priorities. A successful production requires good communication, so I always prepare thoroughly and communicate proactively to understand what my clients need. Based on that, I offer suggestions and expertise to ensure we achieve the best results.
For private projects, I have more freedom to experiment and explore, which allows me to create a relaxed and personal atmosphere.
M: What does a typical day look like for you?
L: I currently work part-time with an amazing content team. Our office is filled with laughter and support, which makes it a joy to go to work. I also freelance as a photographer.
I can be a bit of a workaholic. I’ll shoot, edit, and shoot again, often losing track of time when I’m in the flow. When I’m in that state, I hardly feel hungry or tired.
To stay balanced, I have some creative rituals: morning yoga, deep talks with friends, baths, music, and movies. These moments help me reconnect with myself. I also spend time studying the works of my favorite artists and reviewing my own images to grow and evolve.
M: What would you say sets your photography apart?
L: I don’t compare myself to others because I think everyone has their own unique vision. Diversity in photography is beautiful, and I’m constantly inspired by other people’s work.
M: Have you ever thought about quitting photography? If so, why, and how did you overcome it?
L: There was a time when I felt drained from working intensively on non-creative jobs. That stress took away my pleasure in photography, and I started questioning myself.
To overcome it, I reminded myself why I started in the first place—because I love taking pictures. Refocusing on this passion helped me regain my energy and desire to shoot.
M: If you could change the fashion world—or the world in general—how would you do it?
L: If I had influence, I’d advocate for focusing on well-being. Be kind to each other, respect diversity, and treat our planet with care. Fairness, honesty, and compassion can go a long way in making the world better.
M: What advice would you give to upcoming creatives who want to follow their passions?
L: Feel your heartbeat and find your flow state. Practice it regularly, try new things, and don’t be afraid to experiment. Collaborate with others, share feedback, and grow together.
M: Thank you for sharing your journey, Ling! Any final thoughts?
L: Thank you for the opportunity to share my story. Take care, and I hope to see you soon!
#photography #minimalism #art #fashion
02:53, Jan 06
An Interview with Marcus Thüning — founder of OUTTA TIME: A Brand Rooted in Emotion and Craftsmanship
During Paris Fashion Week SS24, OUTTA TIME stood out with bold designs and raw authenticity. Founder Marcus Thüning described the experience as bittersweet:
"Paris was incredible but mentally draining. The preparation was intense, but it felt like a family trip. I’m grateful for everyone involved."
OUTTA TIME is more than a clothing brand; it’s a personal journey.
"It’s about finding myself and helping others do the same. It’s not about perfection—it’s about embracing success and failure."
Starting in 2019 with t-shirt printing, Thüning quickly transitioned into custom designs.
"In 2020, I began sewing from scratch. I didn’t know what I was doing, but that spirit still drives my work."
Running OUTTA TIME is chaotic.
"Every day is different—designing, managing logistics, or maintaining the website. Structure is tough to maintain."
Paris proved a perfect match for the brand.
"Paris consumers value the details—cuts and fabrics. In Germany, it’s trickier, but we still have support."
What sets OUTTA TIME apart is its honesty.
"We don’t follow trends. Our collections reflect emotions. I even shot garments with a shotgun because it felt right."
For aspiring creatives, Thüning’s advice is simple:
"Find your voice and surround yourself with people who lift you up."
OUTTA TIME isn’t just fashion—it’s a movement for self-expression and community. For Thüning, Paris is only the beginning.
An Interview with Marcus Thüning:
M: Marcus, how are you? Were you able to recover from Paris?
OT: To be honest, I’m feeling good and bad at the same time. Paris was an amazing trip, but it was also very stressful for my mind. My batteries are empty, and I just need a few days to recover now. It wasn’t just the pop-up itself, but also all the preparation. The last four weeks have been an intense phase. But I’m super happy we had this opportunity in Paris. I learned a lot during this trip, and I really appreciate everyone from our team who was part of it. For me, it felt like a family trip.
M: What does OUTTA TIME mean to you?
OT: It’s hard to describe what OUTTA TIME means to me, but somehow it’s a reflection of myself. For me, this whole brand is a journey of finding out who I am while helping others discover who they are too. When everything started, I was a completely different person. All the experiences I’ve had over the past few years and all the people I’ve met have shaped my character and personality.
I don’t know what’s happening next year, but that’s the beautiful thing. The brand is my way of processing everything, and I just follow my instincts. It’s about living out of time—or better said, living in the moment. Let’s forget everything happening around us and just enjoy being fully ourselves.
I never see OUTTA TIME as a clothing brand; it’s a life lesson. I never had anything to do with fashion until I started the brand, and it helped me discover the world of fashion with a blank slate. It’s my canvas for telling stories—not just good ones, but also the bad and painful ones. A lot of people forget nowadays that not everything is perfect, and that’s okay. It’s human. Success and failure are part of life, and we need to experience and communicate both. The brand is my way of expressing these feelings. It’s my key to shaping a better world.
M: When did you realize that you wanted to design clothes?
OT: That’s actually a good question. It was a process for me. I was never like, "I want to be a designer." I started printing t-shirts back in 2019 and became fascinated by the craft of creating garments. At some point, printing didn’t fulfill me anymore, and I felt like I needed to get to the next level. In this case, it was sewing the clothes.
So in the summer of 2020, I started creating my own cuts and products from scratch. From that moment on, I was fully immersed in the craft of making clothes. I really had no idea what I was doing or if I was doing things right, but I didn’t care at all. It was just my way. To this day, I keep this spirit alive, and that’s the beauty of my designs.
M: What does your daily business look like?
OT: It’s hard to say because, at the moment, my life is honestly a big chaos. The first years of running a clothing brand are super tough. There isn’t a big team to handle all the different aspects of the business.
Basically, every day is different for me. One day might be about designing or working in the atelier, while the next day is spent sitting at my Mac working on the website. I love it, but it’s also super hard because there are so many things to manage at the same time. Structure is the key to handling this, but keeping that structure consistently is definitely not easy.
M: When you had the pop-up store in Paris during PFW, did you notice a big difference between the online and offline business?
OT: For me, it’s super hard to compare the online and offline business. I have to say I’m not really an online person. I love the old-school way of meeting people and feeling clothing in my hands. Offline events like the pop-up aren’t about making big money—they’re about bringing people together and spreading our vibe and culture.
That’s what drives my work. Of course, you need to make money to run a business, but the most beautiful thing is seeing good people around you, having fun, and enjoying the moment. You need to feel the OT products to truly understand them. Having conversations with people and explaining the ideas behind the garments brings me so much joy.
That’s how you build a community: by bringing people close to you and making them feel like they’re part of it. The pop-up wasn’t just an OUTTA TIME event; we did this with our family. Everyone had a great time, and isn’t that something to be grateful for? For me, the outcome was a big success.
M: The products you make are top tier. The fabrics and cuts are very high quality. How long does it take you to create a collection, and where do you get your inspiration from?
OT: That’s definitely not an easy question to answer. I can’t even explain my design process. A lot of my garments are made in the moment. To be honest, I don’t know much about fashion at all. I never look at fashion shows or study other designers. My inspiration can come from anything, but most of the time, it’s a feeling.
My life is an emotional rollercoaster, and my moods resonate with different shapes, textures, or the drape of a garment. Nothing I do is astonishingly new or innovative; it’s about putting the right things together. It’s effortless and elegant.
Sometimes I can design a full collection in a day; other times, it takes a couple of weeks. It’s all about the moment. I don’t stress about it because rushing the process doesn’t make sense. Nowadays, so many brands create just to create. There’s so much meaningless fashion, and people forget to appreciate good design.
We also live in a time where we should care about the environment, not just about making cash.
M: What is the difference between Parisian consumers and German consumers?
OT: I really like Parisian consumers. It was an international crowd due to PFW. People in Paris pay a lot of attention to the craftsmanship of products. My style of clothing isn’t always easy to understand because it’s not bold—it’s low-key and defined by the cuts and fabrics. It’s more mature and niche.
Hearing the feedback and seeing people wear the products made me really happy. Paris felt like a good place for the brand.
In Germany, it’s sometimes trickier. The style here doesn’t always align with the direction of OUTTA TIME. I mean, we do have many fans in Germany who appreciate the brand, but it felt more appreciated in Paris.
M: Brands are a dime a dozen. How do you differentiate yourselves from other brands?
OT: What makes OUTTA TIME stand out is that we’re always true to ourselves. I really don’t care about what other brands do. Whether it’s the product, marketing, or visual language, we just follow our own ideas. That’s what living out of time means.
I once did a capsule collection where I shot products with a shotgun because that’s literally how I was feeling at the time. I’m not afraid to communicate my feelings and show people it’s okay to have emotions.
This honesty gives our clothing character and represents the lifestyle we embody. If you look at OUTTA TIME, you have to see the whole cosmos around the brand. We’re not just making clothes; we’re telling stories.
There aren’t many brands out there as honest as we are. That’s why we’re respected. It’s our character that sets us apart.
M: If you were to change the fashion world—or the world in general—how would you do it?
OT: It’s funny—I hate the fashion world, but at the same time, I love fashion. The fashion world is a prime example of what’s wrong with our society.
The whole mission of this brand is to change the world. That’s what drives me every day. OUTTA TIME is about creating a place where people can forget everything for a moment.
We show people how to accept themselves and feel comfortable being who they are. We all have flaws, but that’s what makes us human. Sometimes we just need to be reminded of that.
M: What tip would you give to upcoming creatives who want to do their thing?
OT: The toughest part for creatives is finding their own style. It’s hard to make your work stand out and be recognized for your unique touch.
It’s important to ignore external pressures and listen to your inner voice instead of following trends. The beauty of art comes from the person creating it. Finding your style takes time, but it’s a journey worth enjoying because it helps you discover who you are.
Also, surround yourself with good people—your "family." They’ll support you during tough times and unlock new energy in you.
#outtatime
During Paris Fashion Week SS24, OUTTA TIME stood out with bold designs and raw authenticity. Founder Marcus Thüning described the experience as bittersweet:
"Paris was incredible but mentally draining. The preparation was intense, but it felt like a family trip. I’m grateful for everyone involved."
OUTTA TIME is more than a clothing brand; it’s a personal journey.
"It’s about finding myself and helping others do the same. It’s not about perfection—it’s about embracing success and failure."
Starting in 2019 with t-shirt printing, Thüning quickly transitioned into custom designs.
"In 2020, I began sewing from scratch. I didn’t know what I was doing, but that spirit still drives my work."
Running OUTTA TIME is chaotic.
"Every day is different—designing, managing logistics, or maintaining the website. Structure is tough to maintain."
Paris proved a perfect match for the brand.
"Paris consumers value the details—cuts and fabrics. In Germany, it’s trickier, but we still have support."
What sets OUTTA TIME apart is its honesty.
"We don’t follow trends. Our collections reflect emotions. I even shot garments with a shotgun because it felt right."
For aspiring creatives, Thüning’s advice is simple:
"Find your voice and surround yourself with people who lift you up."
OUTTA TIME isn’t just fashion—it’s a movement for self-expression and community. For Thüning, Paris is only the beginning.
An Interview with Marcus Thüning:
M: Marcus, how are you? Were you able to recover from Paris?
OT: To be honest, I’m feeling good and bad at the same time. Paris was an amazing trip, but it was also very stressful for my mind. My batteries are empty, and I just need a few days to recover now. It wasn’t just the pop-up itself, but also all the preparation. The last four weeks have been an intense phase. But I’m super happy we had this opportunity in Paris. I learned a lot during this trip, and I really appreciate everyone from our team who was part of it. For me, it felt like a family trip.
M: What does OUTTA TIME mean to you?
OT: It’s hard to describe what OUTTA TIME means to me, but somehow it’s a reflection of myself. For me, this whole brand is a journey of finding out who I am while helping others discover who they are too. When everything started, I was a completely different person. All the experiences I’ve had over the past few years and all the people I’ve met have shaped my character and personality.
I don’t know what’s happening next year, but that’s the beautiful thing. The brand is my way of processing everything, and I just follow my instincts. It’s about living out of time—or better said, living in the moment. Let’s forget everything happening around us and just enjoy being fully ourselves.
I never see OUTTA TIME as a clothing brand; it’s a life lesson. I never had anything to do with fashion until I started the brand, and it helped me discover the world of fashion with a blank slate. It’s my canvas for telling stories—not just good ones, but also the bad and painful ones. A lot of people forget nowadays that not everything is perfect, and that’s okay. It’s human. Success and failure are part of life, and we need to experience and communicate both. The brand is my way of expressing these feelings. It’s my key to shaping a better world.
M: When did you realize that you wanted to design clothes?
OT: That’s actually a good question. It was a process for me. I was never like, "I want to be a designer." I started printing t-shirts back in 2019 and became fascinated by the craft of creating garments. At some point, printing didn’t fulfill me anymore, and I felt like I needed to get to the next level. In this case, it was sewing the clothes.
So in the summer of 2020, I started creating my own cuts and products from scratch. From that moment on, I was fully immersed in the craft of making clothes. I really had no idea what I was doing or if I was doing things right, but I didn’t care at all. It was just my way. To this day, I keep this spirit alive, and that’s the beauty of my designs.
M: What does your daily business look like?
OT: It’s hard to say because, at the moment, my life is honestly a big chaos. The first years of running a clothing brand are super tough. There isn’t a big team to handle all the different aspects of the business.
Basically, every day is different for me. One day might be about designing or working in the atelier, while the next day is spent sitting at my Mac working on the website. I love it, but it’s also super hard because there are so many things to manage at the same time. Structure is the key to handling this, but keeping that structure consistently is definitely not easy.
M: When you had the pop-up store in Paris during PFW, did you notice a big difference between the online and offline business?
OT: For me, it’s super hard to compare the online and offline business. I have to say I’m not really an online person. I love the old-school way of meeting people and feeling clothing in my hands. Offline events like the pop-up aren’t about making big money—they’re about bringing people together and spreading our vibe and culture.
That’s what drives my work. Of course, you need to make money to run a business, but the most beautiful thing is seeing good people around you, having fun, and enjoying the moment. You need to feel the OT products to truly understand them. Having conversations with people and explaining the ideas behind the garments brings me so much joy.
That’s how you build a community: by bringing people close to you and making them feel like they’re part of it. The pop-up wasn’t just an OUTTA TIME event; we did this with our family. Everyone had a great time, and isn’t that something to be grateful for? For me, the outcome was a big success.
M: The products you make are top tier. The fabrics and cuts are very high quality. How long does it take you to create a collection, and where do you get your inspiration from?
OT: That’s definitely not an easy question to answer. I can’t even explain my design process. A lot of my garments are made in the moment. To be honest, I don’t know much about fashion at all. I never look at fashion shows or study other designers. My inspiration can come from anything, but most of the time, it’s a feeling.
My life is an emotional rollercoaster, and my moods resonate with different shapes, textures, or the drape of a garment. Nothing I do is astonishingly new or innovative; it’s about putting the right things together. It’s effortless and elegant.
Sometimes I can design a full collection in a day; other times, it takes a couple of weeks. It’s all about the moment. I don’t stress about it because rushing the process doesn’t make sense. Nowadays, so many brands create just to create. There’s so much meaningless fashion, and people forget to appreciate good design.
We also live in a time where we should care about the environment, not just about making cash.
M: What is the difference between Parisian consumers and German consumers?
OT: I really like Parisian consumers. It was an international crowd due to PFW. People in Paris pay a lot of attention to the craftsmanship of products. My style of clothing isn’t always easy to understand because it’s not bold—it’s low-key and defined by the cuts and fabrics. It’s more mature and niche.
Hearing the feedback and seeing people wear the products made me really happy. Paris felt like a good place for the brand.
In Germany, it’s sometimes trickier. The style here doesn’t always align with the direction of OUTTA TIME. I mean, we do have many fans in Germany who appreciate the brand, but it felt more appreciated in Paris.
M: Brands are a dime a dozen. How do you differentiate yourselves from other brands?
OT: What makes OUTTA TIME stand out is that we’re always true to ourselves. I really don’t care about what other brands do. Whether it’s the product, marketing, or visual language, we just follow our own ideas. That’s what living out of time means.
I once did a capsule collection where I shot products with a shotgun because that’s literally how I was feeling at the time. I’m not afraid to communicate my feelings and show people it’s okay to have emotions.
This honesty gives our clothing character and represents the lifestyle we embody. If you look at OUTTA TIME, you have to see the whole cosmos around the brand. We’re not just making clothes; we’re telling stories.
There aren’t many brands out there as honest as we are. That’s why we’re respected. It’s our character that sets us apart.
M: If you were to change the fashion world—or the world in general—how would you do it?
OT: It’s funny—I hate the fashion world, but at the same time, I love fashion. The fashion world is a prime example of what’s wrong with our society.
The whole mission of this brand is to change the world. That’s what drives me every day. OUTTA TIME is about creating a place where people can forget everything for a moment.
We show people how to accept themselves and feel comfortable being who they are. We all have flaws, but that’s what makes us human. Sometimes we just need to be reminded of that.
M: What tip would you give to upcoming creatives who want to do their thing?
OT: The toughest part for creatives is finding their own style. It’s hard to make your work stand out and be recognized for your unique touch.
It’s important to ignore external pressures and listen to your inner voice instead of following trends. The beauty of art comes from the person creating it. Finding your style takes time, but it’s a journey worth enjoying because it helps you discover who you are.
Also, surround yourself with good people—your "family." They’ll support you during tough times and unlock new energy in you.
#outtatime
21:07, Mar 23
The Timeless Legacy of Fred Perry Polo: A Journey Through History and Subcultures
Fred Perry, a name synonymous with timeless style and sporting elegance, has left an indelible mark on fashion history with its iconic polo shirts. Rooted in British heritage and sporting tradition, the Fred Perry polo shirt has transcended its origins to become a symbol of subcultural identity and rebellion. This article delves into the rich history of Fred Perry and explores its enduring appeal across various subcultures.
The story of Fred Perry begins with its eponymous founder, a renowned British tennis player. Born in 1909, Fred Perry was a three-time Wimbledon champion and a dominant force in the world of tennis during the 1930s. In 1952, Perry launched his eponymous brand, initially focusing on tennis apparel.
Central to the brand's identity is the Fred Perry polo shirt, introduced in the late 1950s. Characterized by its twin tipping detail and laurel wreath logo, the polo shirt quickly gained popularity not only on the tennis court but also in casual wear. Its simple yet distinctive design captured the essence of British sportswear, garnering a dedicated following among style-conscious individuals.
The Fred Perry polo shirt soon found its way into various subcultures, each adding its unique twist to the garment's legacy.
Mod Movement:
During the 1960s, the mod subculture embraced Fred Perry as a staple of their fashion identity. Mods, known for their love of music, fashion, and scooters, adopted the polo shirt as part of their signature look. Paired with slim-fit trousers and polished shoes, the Fred Perry polo became synonymous with mod sophistication and rebellion.
Punk Movement:
In the late 1970s, the Fred Perry polo shirt underwent a transformation, finding a new home within the punk rock movement. Embraced by bands like The Clash and The Sex Pistols, the polo shirt became a symbol of anti-establishment defiance. Often worn with ripped jeans and leather jackets, it represented a fusion of sportswear and rebellion, challenging societal norms with its edgy aesthetic.
Ska Movement:
The Fred Perry polo shirt continued its cultural journey into the ska and two-tone music scene of the late 1970s and early 1980s. Bands like The Specials and Madness popularized the polo shirt as part of their distinctive look, blending elements of mod style with Jamaican influences. The Fred Perry polo became synonymous with the energetic rhythms of ska music, symbolizing unity and inclusivity within the subculture.
Fred Perry Today:
In recent years, the Fred Perry polo shirt has experienced a resurgence in popularity, transcending its subcultural roots to become a mainstay in contemporary fashion. Embraced by fashion and streetwear enthusiasts. The polo shirt retains its timeless appeal while adapting to evolving style trends. Collaborations with designers and artists further cement its status as a cultural icon, bridging the gap between heritage and modernity.
The Fred Perry polo shirt stands as a testament to timeless design and cultural resonance. From its humble beginnings on the tennis court to its enduring presence within various subcultures, the polo shirt has transcended boundaries, uniting individuals under a shared appreciation for style, music, and rebellion. As fashion continues to evolve, the Fred Perry polo remains a timeless classic, weaving together past, present, and future.
#fredperry #laurelwreathlogo #mods #punk #ska #subculture
Fred Perry, a name synonymous with timeless style and sporting elegance, has left an indelible mark on fashion history with its iconic polo shirts. Rooted in British heritage and sporting tradition, the Fred Perry polo shirt has transcended its origins to become a symbol of subcultural identity and rebellion. This article delves into the rich history of Fred Perry and explores its enduring appeal across various subcultures.
The story of Fred Perry begins with its eponymous founder, a renowned British tennis player. Born in 1909, Fred Perry was a three-time Wimbledon champion and a dominant force in the world of tennis during the 1930s. In 1952, Perry launched his eponymous brand, initially focusing on tennis apparel.
Central to the brand's identity is the Fred Perry polo shirt, introduced in the late 1950s. Characterized by its twin tipping detail and laurel wreath logo, the polo shirt quickly gained popularity not only on the tennis court but also in casual wear. Its simple yet distinctive design captured the essence of British sportswear, garnering a dedicated following among style-conscious individuals.
The Fred Perry polo shirt soon found its way into various subcultures, each adding its unique twist to the garment's legacy.
Mod Movement:
During the 1960s, the mod subculture embraced Fred Perry as a staple of their fashion identity. Mods, known for their love of music, fashion, and scooters, adopted the polo shirt as part of their signature look. Paired with slim-fit trousers and polished shoes, the Fred Perry polo became synonymous with mod sophistication and rebellion.
Punk Movement:
In the late 1970s, the Fred Perry polo shirt underwent a transformation, finding a new home within the punk rock movement. Embraced by bands like The Clash and The Sex Pistols, the polo shirt became a symbol of anti-establishment defiance. Often worn with ripped jeans and leather jackets, it represented a fusion of sportswear and rebellion, challenging societal norms with its edgy aesthetic.
Ska Movement:
The Fred Perry polo shirt continued its cultural journey into the ska and two-tone music scene of the late 1970s and early 1980s. Bands like The Specials and Madness popularized the polo shirt as part of their distinctive look, blending elements of mod style with Jamaican influences. The Fred Perry polo became synonymous with the energetic rhythms of ska music, symbolizing unity and inclusivity within the subculture.
Fred Perry Today:
In recent years, the Fred Perry polo shirt has experienced a resurgence in popularity, transcending its subcultural roots to become a mainstay in contemporary fashion. Embraced by fashion and streetwear enthusiasts. The polo shirt retains its timeless appeal while adapting to evolving style trends. Collaborations with designers and artists further cement its status as a cultural icon, bridging the gap between heritage and modernity.
The Fred Perry polo shirt stands as a testament to timeless design and cultural resonance. From its humble beginnings on the tennis court to its enduring presence within various subcultures, the polo shirt has transcended boundaries, uniting individuals under a shared appreciation for style, music, and rebellion. As fashion continues to evolve, the Fred Perry polo remains a timeless classic, weaving together past, present, and future.
#fredperry #laurelwreathlogo #mods #punk #ska #subculture
00:20, Nov 03
Sankofa Crew, a breakdance group in Munich, has made a significant impact on the local dance scene over their 15-year journey. Named after a mythical bird, they emphasize the importance of acknowledging the roots of hip-hop culture while evolving.
The crew, which started in the early 2000s, has grown from a small group of dancers to a diverse family united by a love for hip-hop and dance. Their performances are known for their powerful moves, intricate footwork, and deep connection to the music. Beyond dance, Sankofa Crew is committed to community-building, teaching local youth breakdancing, and using it as a tool for personal growth.
Their 15th-anniversary celebration showcased their influence on Munich's cultural landscape and the unity they promote. As they continue, the Sankofa Crew remains dedicated to preserving tradition, fostering innovation, and using dance to unite people.
https://www.instagram.com/hirsch...
#breakdance #bboying #hiphop #culture
The crew, which started in the early 2000s, has grown from a small group of dancers to a diverse family united by a love for hip-hop and dance. Their performances are known for their powerful moves, intricate footwork, and deep connection to the music. Beyond dance, Sankofa Crew is committed to community-building, teaching local youth breakdancing, and using it as a tool for personal growth.
Their 15th-anniversary celebration showcased their influence on Munich's cultural landscape and the unity they promote. As they continue, the Sankofa Crew remains dedicated to preserving tradition, fostering innovation, and using dance to unite people.
https://www.instagram.com/hirsch...
#breakdance #bboying #hiphop #culture
01:40, Sep 10
Nike tracksuits, known for their fusion of athletic utility and urban fashion, have played a significant role in shaping London's style landscape. However, their influence doesn't stop there. This article traces the evolution of Nike tracksuits from London to Germany, highlighting their impact on both fashion scenes.
Nike, founded in 1964 as Blue Ribbon Sports and rebranded as Nike in 1971, started as a manufacturer of running shoes. In the 1970s, sportswear began to transcend its functional purpose and blend with street fashion. London became a hub for this trend, embracing tracksuits as a comfortable yet stylish wardrobe choice.
The 1980s witnessed a pivotal moment for both Nike and tracksuits in London. As hip-hop culture gained traction, tracksuits became symbols of athletic wear and self-expression. London's music scene, influenced by hip-hop, adopted tracksuits as part of urban identity. Collaborations with athletes like Michael Jordan added a fashionable twist to their functionality.
The style evolution of Nike tracksuits didn't stay confined to London. Their popularity transcended borders and reached fashion-conscious cities like Berlin, Munich, and Frankfurt. Germany embraced the tracksuit trend with its own unique flair, blending it with the country's renowned appreciation for practicality and fashion-forwardness.
Integration into German Fashion
Germany's vibrant street style culture welcomed Nike tracksuits, giving them a distinct German touch. The tracksuits seamlessly blended into the athleisure trend and found their place in various subcultures. Just as in London, the tracksuit became a symbol of unity, reflecting the spirit of both individuality and shared style.
In the modern era, Nike tracksuits continue to resonate in both London and Germany. They now embody a fusion of heritage and innovation, representing the histories and trends of two distinct fashion capitals. Collaborations with European designers and athletes further bridge the gap between the two cultures, creating a unique and cosmopolitan style.
The journey of Nike tracksuits from London to Germany showcases the global appeal of these iconic ensembles. From their origins in sportswear to their current status as fashion statements, they have woven a thread that connects two vibrant fashion scenes. As London and Germany continue to shape their unique styles, the Nike tracksuit remains a symbol of shared fashion evolution and cultural integration.
Creative direction: mouluca & @moubsen
Photographer: reaboe
Production: moulaclique & shdwagency
Styling: @moubsen
Styling Assistant: philliprunitupp
Starring: retrotherealest kavenzola ferdi proveuexist @moubsen
Nike, founded in 1964 as Blue Ribbon Sports and rebranded as Nike in 1971, started as a manufacturer of running shoes. In the 1970s, sportswear began to transcend its functional purpose and blend with street fashion. London became a hub for this trend, embracing tracksuits as a comfortable yet stylish wardrobe choice.
The 1980s witnessed a pivotal moment for both Nike and tracksuits in London. As hip-hop culture gained traction, tracksuits became symbols of athletic wear and self-expression. London's music scene, influenced by hip-hop, adopted tracksuits as part of urban identity. Collaborations with athletes like Michael Jordan added a fashionable twist to their functionality.
The style evolution of Nike tracksuits didn't stay confined to London. Their popularity transcended borders and reached fashion-conscious cities like Berlin, Munich, and Frankfurt. Germany embraced the tracksuit trend with its own unique flair, blending it with the country's renowned appreciation for practicality and fashion-forwardness.
Integration into German Fashion
Germany's vibrant street style culture welcomed Nike tracksuits, giving them a distinct German touch. The tracksuits seamlessly blended into the athleisure trend and found their place in various subcultures. Just as in London, the tracksuit became a symbol of unity, reflecting the spirit of both individuality and shared style.
In the modern era, Nike tracksuits continue to resonate in both London and Germany. They now embody a fusion of heritage and innovation, representing the histories and trends of two distinct fashion capitals. Collaborations with European designers and athletes further bridge the gap between the two cultures, creating a unique and cosmopolitan style.
The journey of Nike tracksuits from London to Germany showcases the global appeal of these iconic ensembles. From their origins in sportswear to their current status as fashion statements, they have woven a thread that connects two vibrant fashion scenes. As London and Germany continue to shape their unique styles, the Nike tracksuit remains a symbol of shared fashion evolution and cultural integration.
Creative direction: mouluca & @moubsen
Photographer: reaboe
Production: moulaclique & shdwagency
Styling: @moubsen
Styling Assistant: philliprunitupp
Starring: retrotherealest kavenzola ferdi proveuexist @moubsen
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Creative Director, Stylist, Editor-in-Chief at MOUBSEN.COM
@frederic
@immaqlata